Author Archives: Alfred Eaker

About Alfred Eaker

Alfred Eaker is fine arts painter, filmmaker, and has a masters degree in theology. He currently lives in Portland, oregon with his wife: Aja Rossman-Gray.

“BROTHER COBWEB’S LAST SUPPER ” AND “BROTHER COBWEB’S TENT REVIVAL,” house paint on wood panels ©2017 Alfred Eaker

With my lifelong painting of idiosyncratic (or heterodox if one prefers) iconography, I suppose it was inevitable that I paint a last supper. This mural, titled “Brother Cobweb’s Last Supper” will be used for”The Church Of Brother Cobweb” haunt at … Continue reading

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TALES THAT WITNESS MADNESS (1973) & FROM A WHISPER TO A SCREAM (1987)

Freddie Francis’ Tales That Witness Madness, made for World Film Services in 1973, is clearly patterned after the Amicus horror anthologies. Of course, what better way to emulate the competition than to acquire the man who directed nearly half of the Amicus … Continue reading

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Into the woods

Originally posted on operaramblings:
Claus Guth’s 2008 Salzburg production of Don Giovanni divided the critics along entirely predictable lines.  It’s a very unusual treatment of Don Giovanni but the concept is stuck to with real consistency and it works to…

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1972 EXPLOITATION TRIPLE FEATURE: DRACULA A.D. 1972, VAMPIRE CIRCUS, AND THE THING WITH 2 HEADS

1972  is perhaps the most prolific year in the most prolific decade of horror and exploitation films. It’s also the year for what may be the quintessential midnight cult move: John Waters’ Pink Flamingos, now enshrined as one of the 366 … Continue reading

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PIERRE BOULEZ AND THE LUCERNE FESTIVAL ACADEMY: INHERITING THE FUTURE OF MUSIC

This two hour plus dvd of the 85 year old Boulez at the Lucerne Festival Academy is well filled. Documentary footage of master classes, rehearsals and spoken intros from Boulez are mixed with performance footage of Debussy’s cubist “Jeux,” Boulez’ … Continue reading

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1971 EXPLOITATION TRIPLE FEATURE: TOMBS OF THE BLIND DEAD, WEREWOLVES ON WHEELS, AND WILLARD

1971 began with one of the most stylish horror films ever produced:  The Abominable Dr. Phibes, a near-perfect collaboration between director Robert Feust and star Vincent Price. Al Adamson produced a “masterpiece” of a very different kind with Dracula vs. Frankenstein, featuring the … Continue reading

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AMICUS ANTHOLOGIES (1965-1974), PART TWO

Tales from the Crypt (1972, directed by Freddie Francis and written by Milton Subotsky) is the first of two anthologies directly adapted from Amicus’ spiritual inspiration, EC Comics. A group of five explorers encounter a crypt keeper (no, not that one, but rather  Ralph Richardson as a … Continue reading

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AMICUS ANTHOLOGIES (1965-1974), PART ONE

With Dr. Terror’s House of Horrors (1965, directed by Freddie Francis and written by Milton Subotsky) Amicus Productions (spearheaded by Subotsky and Max Rosenberg, who previously produced for Hammer and was a cousin to Doris Wishman) established itself as a vital competitor to … Continue reading

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1970 EXPLOITATION TRIPLE FEATURE: EQUINOX, THE VAMPIRE LOVERS, AND TROG

The 1970s were probably the most prolific decade in production of exploitation and horror films. The decade started off with Gordon Hessler’s mediocre Cry of the Banshee, co-starring Vincent Price and Diana Rigg. Daniel Haller’s adaptation of The Dunwich Horror was also surprisingly uneven, … Continue reading

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PETER CUSHING SIX PACK: THE HOUND OF THE BASKERVILLES, FLESH AND THE FIENDS, THE SKULL, TWINS OF EVIL,THE CREEPING FLESH, AND THE GHOUL

Although Peter Cushing passed this mortal coil in 1994, he made a recent, posthumous appearance—albeit a digital one—in what is probably his most famous non-Hammer role as Grand Moff Tarkin in Star Wars: Rogue One. His debut film performance was, aptly enough, for Universal horror icon … Continue reading

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