Category Archives: Film Reviews

1979 EXPLOITATION TRIPLE FEATURE, PART ONE: THE RETURN OF THE BIONIC BOY

The final year of exploitation cinema’s greatest decade begins with Alien, the film that made the careers of director Ridley Scott and star Sigourney Weaver. Ian Holm stands out in a top-notch ensemble, which includes the late John Hurt, Tom Skerrit, Yaphet Kotto, … Continue reading

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WONDER WOMAN (2017)

Patty Jenkins’ Wonder Woman (2017) is reaping critical praise, and opened with an astounding one hundred million dollar weekend box office. It’s being hailed as the best movie in the DCEU—i.e., D.C. comics extended universe—although I’m not sure how exactly … Continue reading

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ALIEN: COVENANT (2017)

Forty years after his superb 1977 début with The Duelists,  Ridley Scott has proven, more often than not, to be an engaging filmmaker. At nearly 80 years of age, he remains a provocative dinosaur from the school of ambitious science fiction, a … Continue reading

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1978 EXPLOITATION TRIPLE FEATURE, PART TWO: MARTIN

The Mountain of the Cannibal God (directed by prolific trash guru Sergio Martino), is possibly the most well-known film of the Italian cannibal genre, primarily because it has name stars in Stacy Keach and Ursula Andress. Being Martino, it naturally revels … Continue reading

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1978 EXPLOITATION TRIPLE FEATURE, PART ONE: THE BOYS FROM BRAZIL AND THE FURY

We open 1978 with a double feature of also-rans from the nunsploitation genre. It appears the not-so-good sisters unwittingly blessed the exploitation/horror/science fiction genres, because the year is chock-full of titles that cleaned up at the box office. The Sins of … Continue reading

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1977 EXPLOITATION TRIPLE FEATURE, PART TWO: RABID

If anyone from the future opens a 1977 time capsule stuffed with DVDs, the first impression they may reap is that everyone was having lotza sex this year. Sylvia Kristal (the most famous actress to essay the role) opens the year … Continue reading

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1977 EXPLOITATION TRIPLE FEATURE, PART ONE: SHOCK WAVES & SATAN’S CHEERLEADERS

Star Wars, Annie Hall, and Elvis becoming a corpse were the entertainment events of 1977; but exploitation/horror cinema hardly noticed, driving ahead full-throttle with Third Reich obsessions in this banner year for Nazisploitation. Naturally, queen Dyanne Thorne was still cracking the whip. Unfortunately, Ilsa the Wicked … Continue reading

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DARK SHADOWS (2012)

Tim Burton will go down as an artist who peaked early. Dark Shadows (2012) continued the autopilot fatigue that has plagued this director for the past twenty years. Burton’s quasi-religious fan base has a tendency to erroneously dress him up as a “dark” auteur. … Continue reading

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1976 EXPLOITATION TRIPLE FEATURE, PART TWO: THE WITCH WHO CAME FROM THE SEA

The beauty of the 1970s is its obsession with multifarious genres and trends, but the hardly means all the movies are good. A case in point is Tobe Hooper’s Eaten Alive, which jumps on the killer animal bandwagon started by Bruce … Continue reading

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LICENCE TO KILL (1989): DEBUNKING THE DALTON BOND MYTHS

James Bond aficionados all tend to have their favorite 007. While I prefer the first four films, three of which were directed with style by Terence Young, I do like most of the series. The Roger Moore Bonds get picked on … Continue reading

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