Category Archives: Music Reviews

Into the woods

Originally posted on operaramblings:
Claus Guth’s 2008 Salzburg production of Don Giovanni divided the critics along entirely predictable lines.  It’s a very unusual treatment of Don Giovanni but the concept is stuck to with real consistency and it works to…

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THE SHORT FILMS OF OLIVER HERRMAN

Oilver Herrmann was quickly proving to be an artist of provocative potential after creating the innovative short films “Dichterlieb” (2000), “One Night, One Life” (2002), and “Le Sacre du Printemps” (released 2004). Tragically, Herrmann’s life and career were cut short when he … Continue reading

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OLIVER KNUSSEN’S “AUTUMNAL”: Yes, Knussen is making music with it

Oliver Knussen is one of the most consistently interesting composer/conductors today. He does not join the ranks of the jet setting conductor variety and his repertoire has been varied and carefully chosen: from being an impassioned advocate of late Stravinsky … Continue reading

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Another excellent Wozzeck and the usual, superb Tcherniakov production

It’s a good sign that we now have half a dozen excellent Wozzecks available on DVD. The best is probably the Patrice Chereau/Barenboim production (which was long, inexplicably available only in Europe). However, no single production has the final word … Continue reading

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A lucidly filmed documentation of a mature Brucknerian’s energetic 4th

It could very well be that maestro Daniel Barenboim’s greatest contribution to music has been in filmed performances. Perhaps, none of his Wagner opera recordings, though “generally” excellent, could be considered reference versions. Yet, his filmed Ring and Parsifal (with … Continue reading

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Not one for the opera fundamentalists, but a vital Figaro for the 21st century.

If one thinks comic book fans are a tad over-zealous in filmed approaches to their tight-wearing heroes, then a quick glance at reactions from many American opera fans, to contemporary opera, will reveal that those Marvel boys are a subdued … Continue reading

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Claus Guth, Mozart, Czernowin: Relentless Communication

Mozart’s unfinished Zaide is considered a slightly older, less memorable brother to the composer’s Die Entfuhrung aus dem Serail [The Abduction from the Seraglio.]. Zaide is a rescue opera, with a plot based on Voltaire’s “Zaire.” The exiled Christian Gomatz … Continue reading

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THE UNCOMPROMISING ALBAN BERG: OLIVIER PY’S LULU (2011)

Alban Berg (1885-1934) may be the most notorious member of the Second Viennese School, even more so than leader Arnold Schoenberg (1874-1951) and Anton Webern (1883-1945). Berg, the most romantic of the school, was as influenced by Gustav Mahler as … Continue reading

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THE UNCOMPROMISING ALBAN BERG: CALIXTO BIEITO’S WOZZECK

Calixto Bieito’s 2006 staging of Alban Berg’s “Wozzeck” has reaped equal parts praise and damnation from critics and audiences. It is a powerfully reprehensible staging of a powerfully reprehensible opera. Wozzeck is a common solider, shaving his Captain. The Captain … Continue reading

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HUMANIZING MESSIAH

There are endlessly fascinating artistic directors working in the art of opera. Then, there are great artists. Claus Guth is a great artist. In his 2009 staging of Handel’s “Messiah,” Guth calls to mind the Protestant theologian and martyr Dietrich … Continue reading

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