Tag Archives: Film exploitation

1979 EXPLOITATION TRIPLE FEATURE, PART ONE: THE RETURN OF THE BIONIC BOY

The final year of exploitation cinema’s greatest decade begins with Alien, the film that made the careers of director Ridley Scott and star Sigourney Weaver. Ian Holm stands out in a top-notch ensemble, which includes the late John Hurt, Tom Skerrit, Yaphet Kotto, … Continue reading

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1978 EXPLOITATION TRIPLE FEATURE, PART TWO: MARTIN

The Mountain of the Cannibal God (directed by prolific trash guru Sergio Martino), is possibly the most well-known film of the Italian cannibal genre, primarily because it has name stars in Stacy Keach and Ursula Andress. Being Martino, it naturally revels … Continue reading

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1978 EXPLOITATION TRIPLE FEATURE, PART ONE: THE BOYS FROM BRAZIL AND THE FURY

We open 1978 with a double feature of also-rans from the nunsploitation genre. It appears the not-so-good sisters unwittingly blessed the exploitation/horror/science fiction genres, because the year is chock-full of titles that cleaned up at the box office. The Sins of … Continue reading

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1977 EXPLOITATION TRIPLE FEATURE, PART TWO: RABID

If anyone from the future opens a 1977 time capsule stuffed with DVDs, the first impression they may reap is that everyone was having lotza sex this year. Sylvia Kristal (the most famous actress to essay the role) opens the year … Continue reading

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1977 EXPLOITATION TRIPLE FEATURE, PART ONE: SHOCK WAVES & SATAN’S CHEERLEADERS

Star Wars, Annie Hall, and Elvis becoming a corpse were the entertainment events of 1977; but exploitation/horror cinema hardly noticed, driving ahead full-throttle with Third Reich obsessions in this banner year for Nazisploitation. Naturally, queen Dyanne Thorne was still cracking the whip. Unfortunately, Ilsa the Wicked … Continue reading

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1976 EXPLOITATION TRIPLE FEATURE, PART TWO: THE WITCH WHO CAME FROM THE SEA

The beauty of the 1970s is its obsession with multifarious genres and trends, but the hardly means all the movies are good. A case in point is Tobe Hooper’s Eaten Alive, which jumps on the killer animal bandwagon started by Bruce … Continue reading

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1976 EXPLOITATION TRIPLE FEATURE, PART ONE: THE OMEN & CARRIE

1976 is such an astoundingly productive year in exploitation and horror that we’re forced to divide it into two parts. Religious-themed horror takes front and center in this first part, beginning with Alfred Sole’s Communion [better known today as Alice Sweet Alice], … Continue reading

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1975 EXPLOITATION TRIPLE FEATURE: SWITCHBLADE SISTERS, ILSA, SHE WOLF OF THE SS, AND SHIVERS

In 1975, Steven Spielberg’s Jaws defined the idea of blockbuster as we now know it. Despite the epic career that followed, the director has never surpassed this early work. It’s really a full-throttle horror adventure about the trio of shark hunters Roy Schneider, Robert … Continue reading

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1974 EXPLOITATION TRIPLE FEATURE: ANDY WARHOL’S DRACULA, IT’S ALIVE, AND LEGEND OF THE 7 GOLDEN VAMPIRES

1974 brought a cult movie smorgasbord, beginning with Andy Warhol’s Dracula (AKA Blood for Dracula, directed by Paul Morrissey), which is better known than the previous year’s Andy Warhol’s Frankenstein. It again stars Udo Kier (as the bloodsucker) and Joe Dallesandro (as the servant Mario), … Continue reading

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1973 EXPLOITATION TRIPLE FEATURE: ANDY WARHOL’S FRANKENSTEIN, SATANIC RITES OF DRACULA, AND SISTERS

Andy Warhol’s Frankenstein was the fourth film directed by Paul Morrisey under Andy Warhol‘s banner; although it seems that apart from co-producing, the American pop art icon had no creative input, which may be why, in Europe, it was released under the title Flesh For … Continue reading

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