Tag Archives: Film exploitation

1972 EXPLOITATION TRIPLE FEATURE: DRACULA A.D. 1972, VAMPIRE CIRCUS, AND THE THING WITH 2 HEADS

1972  is perhaps the most prolific year in the most prolific decade of horror and exploitation films. It’s also the year for what may be the quintessential midnight cult move: John Waters’ Pink Flamingos, now enshrined as one of the 366 … Continue reading

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1971 EXPLOITATION TRIPLE FEATURE: TOMBS OF THE BLIND DEAD, WEREWOLVES ON WHEELS, AND WILLARD

1971 began with one of the most stylish horror films ever produced:  The Abominable Dr. Phibes, a near-perfect collaboration between director Robert Feust and star Vincent Price. Al Adamson produced a “masterpiece” of a very different kind with Dracula vs. Frankenstein, featuring the … Continue reading

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1969 EXPLOITATION TRIPLE FEATURE: SCREAM AND SCREAM AGAIN, IT’S ALIVE, AND SATAN’S SADISTS

After the success of 1968’s The Conqueror Worm (AKA The Witchfinder General, with a deliciously evil Vincent Price), director Michael Reeves was assigned dual films: The Oblong Box and Scream and Scream Again. Unfortunately, shortly after pre-production work on The Oblong Box , Reeves died at the age of … Continue reading

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1966 EXPLOITATION TRIPLE FEATURE: RASPUTIN THE MAD MONK, THE REPTILE, THE PLAGUE OF THE ZOMBIES

The 1966 horror, science fiction, and exploitation slate may be most infamous for what many claim is the worst film of all time: Manos: The Hands Of Fate. It’s also the year that Barbara Steele made her last Italian Gothic, An Angel for … Continue reading

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1963 EXLPOITATION TRIPLE FEATURE: THE SADIST, BLOOD FEAST, & THE WHIP AND THE BODY

1963 was such a productive year for horror/exploitation that even Arch Hall, Jr. was involved in a better than normal effort. The Sadist is the film Hall Jr. will most likely be remembered for (if he is remembered at all). Here, Junior pivots away … Continue reading

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1961 EXLPOITATION TRIPLE FEATURE: THE CHOPPERS, HERCULES IN THE HAUNTED WORLD, AND WEREWOLF IN A GIRLS’ DORMITORY

  Arch Hall Jr. is practically American cinema’s masochistic patron saint of Juvenile Delinquent exploitation garbage. Guided by daddy Arch Sr. (who penned the script and produced)The Choppers was Junior’s first film in a mercifully brief career (he retired in 1965 to … Continue reading

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TEST TUBE BABIES (1948) & THE FLESH MERCHANT (1956)

We have been remiss in failing to cover the weird movie saint, W. Merle Connell (1905-1963).  Do not judge us too harshly. Since Connell didn’t have an angora fetish (like Ed Wood) and failed to live out one of his seedy plot lines by actually … Continue reading

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RUSS MEYER’S SUPERVIXENS (1975)

Russ Meyer had seemingly put low budget independent film permanently behind him when he made Beyond the Valley of the Dolls(1970, co-written with (Roger Ebert) and The Seven Minutes (1971) for super-studio 20th Century Fox. The first film made an unprecedented nine million … Continue reading

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RUSS MEYER’S CHERRY, HARRY & RAQUEL! (1970)

Russ Meyer’s Cherry, Harry, And Raquel (1970) is a film that achieves a sense of hyper-surrealism through kinetic editing alone. Actually, it may be one of the most bizarrely edited films in the whole of cinema. It opens with scrolling text: a strange … Continue reading

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DORIS WISHMAN’S LET ME DIE A WOMAN (1978)

In a round table meeting with a couple of editors, I was discussing a proposed documentary (which we abandoned). As we were dialoguing, I mentioned a scene which would require green screen. One of the editors stopped me short and … Continue reading

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