Tag Archives: Freddie Francis

TALES THAT WITNESS MADNESS (1973) & FROM A WHISPER TO A SCREAM (1987)

Freddie Francis’ Tales That Witness Madness, made for World Film Services in 1973, is clearly patterned after the Amicus horror anthologies. Of course, what better way to emulate the competition than to acquire the man who directed nearly half of the Amicus … Continue reading

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AMICUS ANTHOLOGIES (1965-1974), PART TWO

Tales from the Crypt (1972, directed by Freddie Francis and written by Milton Subotsky) is the first of two anthologies directly adapted from Amicus’ spiritual inspiration, EC Comics. A group of five explorers encounter a crypt keeper (no, not that one, but rather  Ralph Richardson as a … Continue reading

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AMICUS ANTHOLOGIES (1965-1974), PART ONE

With Dr. Terror’s House of Horrors (1965, directed by Freddie Francis and written by Milton Subotsky) Amicus Productions (spearheaded by Subotsky and Max Rosenberg, who previously produced for Hammer and was a cousin to Doris Wishman) established itself as a vital competitor to … Continue reading

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1970 EXPLOITATION TRIPLE FEATURE: EQUINOX, THE VAMPIRE LOVERS, AND TROG

The 1970s were probably the most prolific decade in production of exploitation and horror films. The decade started off with Gordon Hessler’s mediocre Cry of the Banshee, co-starring Vincent Price and Diana Rigg. Daniel Haller’s adaptation of The Dunwich Horror was also surprisingly uneven, … Continue reading

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PETER CUSHING SIX PACK: THE HOUND OF THE BASKERVILLES, FLESH AND THE FIENDS, THE SKULL, TWINS OF EVIL,THE CREEPING FLESH, AND THE GHOUL

Although Peter Cushing passed this mortal coil in 1994, he made a recent, posthumous appearance—albeit a digital one—in what is probably his most famous non-Hammer role as Grand Moff Tarkin in Star Wars: Rogue One. His debut film performance was, aptly enough, for Universal horror icon … Continue reading

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DAVID LYNCH’S THE ELEPHANT MAN (1980)

Critics and audiences were surprised by David Lynch‘s Elephant Man(1980), which in itself is surprising. Apparently after Eraserhead (1977) became a cult favorite, the assumption was that Lynch was unable to tell a linear narrative. It’s the very old either/or label that audiences are … Continue reading

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DAVID LYNCH’S THE STRAIGHT STORY (1999)

Among idiosyncratic filmmakers, it seems only David Lynch can produce something G-rated and linear, for Disney Studios, without sacrificing his inherent quirkiness. To tell it straight, The Straight Story, along with 1980’s The Elephant Man (another linear film) may be his most accomplished and surprising work. … Continue reading

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TERENCE FISHER’S THE HORROR OF DRACULA (1958) AND DRACULA HAS RISEN FROM THE GRAVE (1968)

Christopher Lee, as Dracula, greets John Van Eyssan’s Jonathan Harker and basically says, “Welcome, glad to have you as my librarian. That picture of your fiancee is lovely. I have to leave now, good bye.” After that, Dracula never speaks … Continue reading

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