Tag Archives: Horror

1977 EXPLOITATION TRIPLE FEATURE, PART TWO: RABID

If anyone from the future opens a 1977 time capsule stuffed with DVDs, the first impression they may reap is that everyone was having lotza sex this year. Sylvia Kristal (the most famous actress to essay the role) opens the year … Continue reading

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THE CHURCH OF BROTHER COBWEB (at The House Of Shadows, Gresham Oregon)

“Brother Cobweb: A White Trash Opera,” 8 ft x 4ft house paint on wood panel ©2017 Alfred Eaker THE CHURCH OF BROTHER COBWEB  (house paint on 8 ft x 4 ft wood panel) “Jonestown Massacre” ©2017 Alfred Eaker Rehearsing Brother Cobweb … Continue reading

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1977 EXPLOITATION TRIPLE FEATURE, PART ONE: SHOCK WAVES & SATAN’S CHEERLEADERS

Star Wars, Annie Hall, and Elvis becoming a corpse were the entertainment events of 1977; but exploitation/horror cinema hardly noticed, driving ahead full-throttle with Third Reich obsessions in this banner year for Nazisploitation. Naturally, queen Dyanne Thorne was still cracking the whip. Unfortunately, Ilsa the Wicked … Continue reading

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1976 EXPLOITATION TRIPLE FEATURE, PART TWO: THE WITCH WHO CAME FROM THE SEA

The beauty of the 1970s is its obsession with multifarious genres and trends, but the hardly means all the movies are good. A case in point is Tobe Hooper’s Eaten Alive, which jumps on the killer animal bandwagon started by Bruce … Continue reading

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1976 EXPLOITATION TRIPLE FEATURE, PART ONE: THE OMEN & CARRIE

1976 is such an astoundingly productive year in exploitation and horror that we’re forced to divide it into two parts. Religious-themed horror takes front and center in this first part, beginning with Alfred Sole’s Communion [better known today as Alice Sweet Alice], … Continue reading

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1975 EXPLOITATION TRIPLE FEATURE: SWITCHBLADE SISTERS, ILSA, SHE WOLF OF THE SS, AND SHIVERS

In 1975, Steven Spielberg’s Jaws defined the idea of blockbuster as we now know it. Despite the epic career that followed, the director has never surpassed this early work. It’s really a full-throttle horror adventure about the trio of shark hunters Roy Schneider, Robert … Continue reading

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AMICUS ANTHOLOGIES (1965-1974), PART TWO

Tales from the Crypt (1972, directed by Freddie Francis and written by Milton Subotsky) is the first of two anthologies directly adapted from Amicus’ spiritual inspiration, EC Comics. A group of five explorers encounter a crypt keeper (no, not that one, but rather  Ralph Richardson as a … Continue reading

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1967 EXPLOITATION TRIPLE FEATURE: CORRUPTION, QUATERMASS AND THE PIT, AND THE FEARLESS VAMPIRE KILLERS

We start our 1967 genre survey with a considerable amount of barrel-bottom scraping with two of Herschell Gordon Lewis‘ most execrable efforts: The Gruesome Twosome and Something Weird. He also made the somewhat better A Taste of Blood the same year. With a bigger budget and longer running … Continue reading

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1966 EXPLOITATION TRIPLE FEATURE: RASPUTIN THE MAD MONK, THE REPTILE, THE PLAGUE OF THE ZOMBIES

The 1966 horror, science fiction, and exploitation slate may be most infamous for what many claim is the worst film of all time: Manos: The Hands Of Fate. It’s also the year that Barbara Steele made her last Italian Gothic, An Angel for … Continue reading

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1963 EXLPOITATION TRIPLE FEATURE: THE SADIST, BLOOD FEAST, & THE WHIP AND THE BODY

1963 was such a productive year for horror/exploitation that even Arch Hall, Jr. was involved in a better than normal effort. The Sadist is the film Hall Jr. will most likely be remembered for (if he is remembered at all). Here, Junior pivots away … Continue reading

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