Tag Archives: TERENCE FISHER

PETER CUSHING SIX PACK: THE HOUND OF THE BASKERVILLES, FLESH AND THE FIENDS, THE SKULL, TWINS OF EVIL,THE CREEPING FLESH, AND THE GHOUL

Although Peter Cushing passed this mortal coil in 1994, he made a recent, posthumous appearance—albeit a digital one—in what is probably his most famous non-Hammer role as Grand Moff Tarkin in Star Wars: Rogue One. His debut film performance was, aptly enough, for Universal horror icon … Continue reading

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1968 EXPLOITATION TRIPLE FEATURE: NIGHT OF THE LIVING DEAD, THE DEVIL RIDES OUT, AND SPIRITS OF THE DEAD

In 1968 George Romero released one of the most relentlessly frightening movies ever made in Night of the Living Dead, but it took a couple of years for the midnight movie crowd to make it into an epic cult phenomenon. Seen today, … Continue reading

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TERENCE FISHER’S THE CURSE OF THE WEREWOLF (1961)

Terence Fisher never considered himself a “horror” filmmaker, and he clearly disliked the term.  While a number of Fisher’s film could be apt examples to drive home his point that he was more than a mere scare merchant, The Curse of … Continue reading

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TERENCE FISHER’S THE GORGON (1964)

The Gorgon (1964) has a hopelessly silly synopsis: it’s basically a werewolf story transplanted onto a minor Greek myth with an even more ridiculously executed monster (complete with rubber snakes in her hair). Yet, with a stylish script from John Gilling, sublime characterization, and poetic beauty, Terence … Continue reading

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TERENCE FISHER’S FRANKENSTEIN AND THE MOSTER FROM HELL (1974)

Frankenstein and the Monster from Hell was the last of the Hammer Frankenstein series, as well as Terence Fisher’s final film. It is generally regarded as a weak swansong.  At first glance, it seems a remake of The Revenge of Frankenstein (1958), but … Continue reading

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TERENCE FISHER’S THE MUMMY (1959)

The mummy, as a character, quickly became bland. In 1932, director Karl Freund, writer John L. Balderstein, and stars Boris Karloff and Zita Johnann made a poetic film for the Universal Horror cannon, re-working the story of Dracula in Egyptian guise.  The … Continue reading

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TERENCE FISHER’S FRANKENSTEIN CREATED WOMAN (1967)

Frankenstein Created Woman (1967) marked the return of Terence Fisher to the Hammer Frankenstein series.  Fisher had been temporarily ousted after the studio’s displeasure over the director’s character driven Phantom of the Opera (1961).  Freddie Francis had been assigned to the Evil of Frankenstein (1964) … Continue reading

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TERENCE FISHER’S DRACULA PRINCE OF DARKNESS (1966)

Terence Fisher is rarely counted among the great horror auteurs, yet he certainly defines our ideal of contemporary horror far more than the ethereal Tod Browning, the old world Brit James Whale or the sublime Val Lewton stalwart Jacques Tourneur.  For many years, … Continue reading

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TERENCE FISHER’S BRIDES OF DRACULA (1960)

There is a recurring scene, albeit with slight variations,  in Terence Fisher’s trilogy of vampire films—Horror of Dracula (1958), Brides of Dracula (1960), and Dracula, Prince of Darkness (1966)—in which a wise and devout man releases a vampire from the pains of immortal existence. … Continue reading

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TERENCE FISHER’S FRANKENSTEIN MUST BE DESTROYED (1969)

Director Terence Fisher had quickly grown bored with the Hammer Dracula series, along with the character of the Count.  For the two sequels, Fisher omitted the title character from the first (Brides of Dracula, 1960) and then made him secondary to Barbara … Continue reading

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